Practice – more than just repetition . . .

For many, the name Vince Lombardi (1913-1970) brings to mind the very successful coach of the NFL Green Bay Packers – whose tenure with the Packers included wins in the first two Super Bowl games – 1966 and 1967.  Lombardi is also well remembered for saying “Winning isn’t everything, it’s the only thing.”  As I have studied for this series of posts I also have discovered that he apparently frequently remarked “Practice does not make perfect.  Only perfect practice makes perfect.”

In my reading and preparation I also discovered the following which reminded me of my earlier years as a student of the piano – from an article by Annie Murphy Paul:

In an article titled “It’s Not How Much: It’s How,” published in the Journal of Research in Music Education in 2009, University of Texas-Austin professor Robert Duke and his colleagues videotaped advanced piano students as they practiced a difficult passage from a Shostakovich concerto, then ranked the participants by the quality of their ultimate performance.  The researchers found no relationship between excellence of performance and how many times the students had practiced the piece or how long they spent practicing.  Rather, “the most notable differences between the practice sessions of the top-ranked pianists and the remaining participants,” Duke and his coauthors wrote, “are related to their handling of errors.”

The best pianists, they determined, addressed their mistakes immediately.  They identified the precise location and source of each error, then rehearsed that part again and again until it was corrected.  Only then would the best students proceed to the rest of the piece.  “It was not the case that the top-ranked pianists made fewer errors at the beginning of their practice sessions than did the other pianists,” Duke notes.  “But, when errors occurred, the top-ranked pianists seemed much better able to correct them in ways that precluded their recurrence.”

Without deliberate practice, even the most talented individuals will reach a plateau and stay there.  For most of us, that’s just fine.  But don’t delude yourself that you’ll see much improvement unless you’re ready to tackle your mistakes as well as your successes. http://ideas.time.com/2012/01/25/the-myth-of-practice-makes-perfect/

This reminded me again of one very important element of my mother’s insistence on my beginning my piano practice each day by participating in the practice of sight reading.  The practice I was doing was much more important than I ever could have imagined at the time – a practice done by many before me – and – thanks to my mother, the practice was done in a manner that led to regular and constant improvement in my craft and my training.

I strongly believe that this concept is very important and it will be the springboard for coming posts as we continue to move toward understanding how we learn – it is much more than repetition and it is much more than memorization of cognitive facts and information.

Please – join in the conversation!

The science of “practice makes perfect” . . .

The reality of “practice makes perfect” is much more than human willpower.  It involves real scientific data and discovery.

An article in Psychology Today* offers a good place to begin to grasp an understanding of the science of “practice makes perfect” – an article well worth reading. This article tells the story of a young tennis player growing up in Montana who learned both tennis and life from his father:

Although being a state tennis champion is technically what got my father a college scholarship, that ‘trophy’ is secondary to everything else that he learned on the tennis court that stuck with him for the rest of his life.  His brain was rewired through his daily workouts.  He was able to transfer his ‘eye for the ball’ into ‘focus’ and remain intellectually sharper than the rest.  His daily tennis practice gave him the physicality, dexterity, and stamina to be a world-class surgeon.

My father wanted me to be the next Björn Borg.  I put a lot of pressure on myself to succeed from a very young age.  I wanted my father to be proud of me and I worked very hard on the tennis court.  When I was growing up, tennis was our only real alone time and we played every Sunday.  His coaching was based on an understanding that muscle memory is stored in a part of your brain called the “cerebellum” (Latin: little brain).  My dad’s mantra to me as a kid was: ‘Carve the grooves into the cerebellum, Chris.  Think about hammering and forging your muscle memory with every stroke.’  The cerebellum is the #1 reason that practice makes perfect.

Sadly, the same science that teaches that “practice makes perfect” in learning desired skills is also the science that leads to an understanding of the process of abuse and addiction.  This will be the focus of several coming posts, but let us open the door for consideration by turning to one of my favorite and most read volumes, Addiction and Grace** by Dr. Gerald May:

We human beings are the most adaptable creatures in God’s creation.  Our adaptability has allowed us to dominate the world.  But our very capacity to create new normalities for ourselves also makes us vulnerable to countless attachments.  As every attachment forms, a new normality is born.  With each new normality, addiction exists.” (78)

I offer one more important bit of reading to conclude this post and move us toward future days and weeks.  This is from another book that everyone should have and read – often, The Spirituality of Imperfection: Storytelling and the Search for Meaning*** by Ernest Kurtz and Katherine Ketcham:

The ‘language of recovery’ that is storytelling involves not dogma or commandment, not things to be done or truths to be believed, not theory, conjecture, argument, analysis, or explanation, but a way of conversation shared by those who accept and identify with their own imperfection.  Following the tradition of Western spirituality, Alcoholics Anonymous aims to convery experience rather than to ‘teach’ concepts.  Always truthful to experience, the language of recovery makes it possible to see – and thus to understand – reality differently.  And it is in this different vision that spirituality begins.” (160)

The journey continues – please join the conversation.

*http://www.psychologytoday.com/blog/the-athletes-way/201110/no-1-reason-practice-makes-perfect

**http://www.amazon.com/Addiction-Grace-Spirituality-Healing-Addictions/dp/0061122432/ref=sr_1_1?ie=UTF8&qid=1341840391&sr=8-1&keywords=addiction+and+grace

***http://www.amazon.com/Spirituality-Imperfection-Storytelling-Search-Meaning/dp/0553371320/ref=sr_1_1?s=books&ie=UTF8&qid=1341841369&sr=1-1&keywords=spirituality+of+imperfection+storytelling+and+the+search+for+meaning

A place to begin . . .

One recent volume that is important reading for people interested in this matter is Teaching and Christian Practices: Reshaping Faith and Learning, edited by David I. Smith and James K. A. Smith*.  The Foreword for this volume was written by Craig Dykstra and Dorothy C. Bass.  This post provides a place to begin our consideration by offering some brief sections from that Foreword that will serve as a springboard for coming posts and discussions.

This book is intended for people who “believe that college classes can be communities of learning where knowledge of self, others, and the world is sought in response to God’s call and the world’s need . . . human beings become who we are in large part through embodied participation in shared activities sustained by traditioned communities and oriented toward specific goods . . . practices help to create social spaces that have a certain character, spaces graced by regard for human beings as embodied imaginative members of God’s beloved creation . . . Christian practices make not only students but also teachers vulnerable to unpredictable encounters with God and other.”

*http://www.amazon.com/Teaching-Christian-Practices-Reshaping-Learning/dp/0802866859/ref=sr_1_1?ie=UTF8&qid=1341582113&sr=8-1&keywords=teaching+and+christian+practices

Practice makes perfect . . .

It is difficult to even begin to imagine how many times my mother said, “Practice makes perfect!” to me during my younger years.  Generally these words were said in relation to the development of my skills as I was learning to play the piano.

My association with the piano has included most of my life.  I was born in Bunch, Oklahoma in the parsonage next door to the white frame church where my grandparents served as Methodist missionaries for the surrounding community of Native Americans in the Cookson Hills along the banks of the Sallisaw Creek – where I was later baptized by my grandfather.  My mother played the piano for worship services and the congregation did not offer a nursery so very early in my life my seat in worship was beside my mother on the piano bench.  Legend reports that at some point I reached up and joined her in the playing.  I am told that it was during the playing of “Silent Night” although the only people who could verify the truth of that story have all already joined the heavenly chorus of saints gone before.

My “formal” music training began when i was five years old.  My mother, who taught many piano students over the years, always made certain that I had a teacher who was not my mother.  The first was Sister Gabriel, a diminutive Benedictine sister, who always rewarded me with treats she had saved for me from her dining room meals.  During the summer following my fifth grade year we moved to Augusta, Kansas where I continued my studies with Edwina Parker.  Her presence in our little town was clearly a loving act of God – a blessing beyond the comprehension of any of us.

Mrs. Parker was my primary teacher from the beginning of my sixth grade year until I began my undergraduate education.  It was very important to her that I learn the technical tools – scales, arpeggios, etc. – that were part of traditional training for the repertoire of the classical master composers.  However, it was equally important to her that I receive training to “play by ear” and learn to utilize chord symbols and the notation need to play in jazz and pop idioms.  I also was blessed by a wonderful band instructor as I also began my study of the trumpet.  Mr. Hendrickson also believed in a balanced education of preparation for both traditional and jazz pop styles.

My mother also continued to be a significant presence in my formative process as a pianist.  She contributed two significant practices to my training.

First, she made sure that daily practice was an important part of my life – often to my dismay at the time.  One afternoon when I arrived home after school I announced that it was my plan to be a professional tennis player. My mother, without any hesitation, responded that would be fine and that I could play as much tennis as my heart desired provided that I completed my daily piano practice first.

Her other plan made a very significant and meaningful contribution to my training and future success.  She realized the importance of having the ability to sight read music – especially for someone who would later be involved as an accompanist and an audition pianist.  So, at her direction, I began my daily practice by playing through ten musical selections that I had never studied – often had never seen.  The selections ranged from hymns to solo piano teaching repertoire to almost anything that might be available at the time.  This practice routine helped develop a sight reading foundation that was very beneficial to my later career in professional musical theatre and as an accompanist.  My ability to proficiently sight read provided numerous possibilities for career opportunities that otherwise would not have been available to me.

Practice – even not being aware of the potential benefits at the time – built a working knowledge that provided enormous benefits and opportunities for my career as an active musician.  My mother understood the good

Good to Be Back! and Learning by Practice

It is time for the vacation to come to an end and to return to the writing of posts for this blog.  I very much appreciated the time away – but – I am more than anxious to begin again!  I hope you will join in the conversation.

I have recently been encouraged by our Senior Pastor to pursue consideration of learning what we believe and who we are by means of the practices we follow.  My learning about this has been enriched by conversations and by reading a number of wonderful books that open the door of creativity for further consideration, thinking, and writing.

An important turning point in this journey has been Desiring the Kingdom: Worship, Worldview, and Cultural Formation* by Dr. James K. A. Smith at Calvin College in Michigan.  In the introductory portion of his book he poses this question: “What if education wasn’t first and foremost about what we know, but about what we love?” (18)  Just a few sentences later he writes: “Based on the alternative model I will sketch in this book, how we think about distinctly Christian education would not be primarily a matter of sorting out which Christian ideas to drop into eager and willing mind-receptacles; rather, it would become a matter of thinking about how a Christian education shapes us, forms us, molds us to be a certain kind of people whose hearts and passions and desires are aimed at the kingdom of God.” (18)

The remainder of Dr. Smith’s book more than lives up to his introductory promises.  I would suggest without hesitation that this is a book that should be required reading for anyone who has an interest in understanding discipleship and helping to form a Christian people.

For the next several weeks – likely the next several months – I will be continuing to explore these matters as I work to design a learning practice that points people toward living life in a manner intended by the Creator by participating in practices that form our beliefs and help us understand who we are and Whose we are!

In the next post, I will begin by telling a story of how much of my own life was shaped by participating in a daily practice that my mother insisted that I follow for a number of years.  It was a practice that I did not want to follow, but, clearly, it was one where I can only say that my mother knew best, because it made possible some of the career opportunities that have been the most meaningful in my adult life.

All of this will be better if many of you decide to join in the conversation, telling your stories and revealing your learned insights as we continue the journey together as a community of disciples!

It is good to be back!  Grace and peace

*http://www.amazon.com/Desiring-Kingdom-Worldview-Formation-Liturgies/dp/0801035775/ref=sr_1_1?ie=UTF8&qid=1341244066&sr=8-1&keywords=smith+desiring+the+kingdom